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Devotional Krishna Stuti / BhajanLevel: Easy / Beginner

Achyutam Keshavam Flute Notes – Easy Sargam for Bansuri

Learn the sacred devotional melody of Achyutam Keshavam on flute or bansuri with lyric-aligned Sargam and Western notes, lower octave markings, breath pause marks, and beginner practice tips.

Published: 2026-09-21
Updated: 2026-10-18

Achyutam Keshavam is a timeless devotional bhajan celebrating the divine names of Lord Krishna and Rama. This beginner arrangement presents the main refrain and first verse pattern with lyric-aligned Sargam and Western notes. Many later verses can be practised using the same melodic structure.

Quick Song Information

DetailInformation
DifficultyBeginner
Suggested fluteC Medium or any comfortable flute key
Starting swarSa (S)
Highest swarMiddle Ma (M)
Main challengeLower octave (.D, .N) breath control and clean phrase-ending breath pauses (/)
Practice speedSlow, peaceful and meditative

Note: Indian music uses movable Sa; this devotional melody can be played on any flute key you own.

Notation Reading Guide

Symbols used in this song arrangement:

.D .Nlower octave note (Mandra Saptak)
S R G Mmiddle octave note (Madhya Saptak)
—hold / sustain the preceding note
|phrase division
/breathe / breath pause

Achyutam Keshavam Sargam Notes

Bansuri / Indian Flute

Each phrase is paired with its lyric syllables. Symbols like .D and .N denote lower octave notes, — indicates a sustained note, and / marks a breath pause:

Phrase 1"Achyutam Keshavam Krishna Damodaram (×2)"
Achyutam
SRG
Keshavam
G MGR
Krishna
S.N
Damodaram
RRGR /
Sargam line:SRG | G MGR | S.N | RRGR /
Phrase 2"Rama Narayanam Janaki Vallabham (×2)"
Rama
S.N
Narayanam
.D.D.DR /
Janaki
RR G—
Vallabham
S.NS /
Sargam line:S.N | .D.D.DR / | RR G— | S.NS /
Phrase 3"Kaun Kehte Hain Bhagwan Aate Nahi (×2)"
Kaun
SR
Kehte
GG
Hain
M
Bhagwan
GRS.N
Aate Nahi
RRGR /
Sargam line:SR | GG | M | GRS.N | RRGR /
Phrase 4"Tum Meera Ke Jaise Bulate Nahi (×2)"
Tum
S.N
Meera Ke
.D.D.D
Jaise
RR
Bulate Nahi
R GR S— .NS /
Sargam line:S.N | .D.D.D | RR | R GR S— .NS /

Western Notes (Sa = C)

Key of C Equivalent

For Western flute players and recorder learners playing in the key of C, the corresponding note transcriptions are arranged below:

Phrase 1"Achyutam Keshavam Krishna Damodaram (×2)"
Achyutam
CDE
Keshavam
E FED
Krishna
C.B
Damodaram
DDED /
Western line:CDE | E FED | C.B | DDED /
Phrase 2"Rama Narayanam Janaki Vallabham (×2)"
Rama
C.B
Narayanam
.A.A.AD /
Janaki
DD E—
Vallabham
C.BC /
Western line:C.B | .A.A.AD / | DD E— | C.BC /
Phrase 3"Kaun Kehte Hain Bhagwan Aate Nahi (×2)"
Kaun
CD
Kehte
EE
Hain
F
Bhagwan
EDC.B
Aate Nahi
DDED /
Western line:CD | EE | F | EDC.B | DDED /
Phrase 4"Tum Meera Ke Jaise Bulate Nahi (×2)"
Tum
C.B
Meera Ke
.A.A.A
Jaise
DD
Bulate Nahi
D ED C— .BC /
Western line:C.B | .A.A.A | DD | D ED C— .BC /

Phrase-by-Phrase Playing Guidance

Phrase 1"Achyutam Keshavam Krishna Damodaram (×2)"

Step smoothly up from SR to Ga (G) on "Achyutam", articulate G MGR with gentle touch, drop softly to lower Ni (S.N), and finish with a rhythmic bounce on RRGR with a relaxed breath pause (/).

Phrase 2"Rama Narayanam Janaki Vallabham (×2)"

Descend to lower Ni (S.N), sound the triple lower Dha (.D.D.D) with warm, gentle breath before stepping up to Re (.DR /), step through Re to sustain Ga (RR G—) on Janaki, and resolve sweetly on S.NS /.

Phrase 3"Kaun Kehte Hain Bhagwan Aate Nahi (×2)"

Ascend steadily through SR and GG, open middle Ma (M) clearly on "Hain", glide downward through GRS.N on "Bhagwan", and conclude joyfully on RRGR /.

Phrase 4"Tum Meera Ke Jaise Bulate Nahi (×2)"

Drop gently from Sa to lower Ni (S.N), play steady triple lower Dha (.D.D.D), transition cleanly into Re (RR), and conclude the stuti on R GR S— .NS with heartfelt devotion and a peaceful breath.

Step-by-Step Practice Method

1

Sing or chant the bhajan lines with lyrics first to internalize the gentle devotional rhythm and natural breathing spots.

2

Practise Phrase 1 (Achyutam Keshavam...) slowly to master the step up from Sa to Ga (SRG) and the smooth descent to lower Ni (S.N).

3

Focus on Phrase 2 for deep, warm breath control on the lower Dha (.D.D.D) before leaping up to Re (.DR /).

4

Pay close attention to Phrase 3 on "Bhagwan" (GRS.N), ensuring your fingers seal the holes fully on the descent.

5

Play Phrase 4 with a peaceful, calm tone, articulating R GR S— .NS gently without rushing the ending breath pause (/).

6

Combine all 4 phrases in a loop with a tanpura drone or metronome at 60–70 BPM.

Common Mistakes to Avoid

•Overblowing on lower notes (.D, .N), causing squeaks or unwanted octave jumps
•Skipping breath pauses (/) and running out of air mid-line
•Rushing the held note G— on "Janaki", disturbing the meditative tempo
•Lifting fingers unevenly during the rapid GRS.N glide on "Bhagwan"
•Playing too loudly instead of cultivating a sweet, gentle devotional tone

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Aplut - Founder & Author
Author

About the Author

Written and practice-tested by Aplut, a self-taught bansuri learner practising since 2022. Content is built on direct practice experience and careful research into classical traditions. Because musical lineages and fingering conventions vary, suggestions and corrections are always welcomed via our contact page or at [email protected]. First-hand instrument experience is identified clearly whenever gear is reviewed.