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National Anthem of IndiaBeginnerSargam & Western

Jana Gana Mana Flute Notes – India’s National Anthem

Jana Gana Mana is the National Anthem of India, composed by Nobel laureate Rabindranath Tagore. This page provides complete phrase-by-phrase Sargam and Western notation for playing the anthem on flute or bansuri, along with octave guidance and practical playing tips.

Published: 2026-09-24Updated: 2026-09-24

Quick Song Information & Flute Specifications

Essential guidance for playing the National Anthem with precision and dignity

Difficulty LevelBeginner
Melody TypeNational Anthem of India
Suggested Bansuri / FluteC Middle (C Natural) — or transpose to your comfortable flute scale
Starting Note / SwaraSa (S)
Highest Note / SwaraTara Sa (S')
Recommended Practice SpeedDignified, steady rhythm (around 52 seconds duration)
Main Practice Challenge: Clean lower octave Mandra Ni (.N) intonation and controlled Tara Sa (S') sustained notes

Notation Symbols & Reading Guide

Understand how note octaves, rests, holding dashes, and breath pauses are represented:

.Nlower octave note (Mandra Saptak)
S R G M P D Nmiddle octave note (Madhya Saptak)
S'higher octave note (Tara Saptak)
hold / sustain preceding note
/breath pause

Jana Gana Mana Sargam Notes

Bansuri / Indian Flute

Each phrase is detailed below with musical units. Lower dot (.N) represents Mandra Saptak (lower octave Ni), and apostrophes (S') represent Tara Saptak (higher octave Sa):

Line 1"Jana-gana-mana-adhinayaka jaya he"
Jana-gana-mana-
SR GG GG
adhinayaka
GGG— GG
jaya he
RG M—
Sargam line:SR GG GG GGG— GG RG M—

Playing tip:Begin with a crisp, clear Sa-Re (SR) opening. Sustain the dignified Ga (G) pulses evenly and glide into Shuddha Ma (M—) on "jaya he".

Line 2"Bharata-bhagya-vidhata"
Bharata-
GGG
bhagya-
RR
vidhata
R.NRS—
Sargam line:GGG RR R.NRS—

Playing tip:Descend smoothly from Ga (G) to Re (R). For R.NRS, lightly touch lower Mandra Ni (.N) with gentle breath before returning home to Sa (S—).

Line 3"Panjaba-Sindhu-Gujarata-Maratha"
Panjaba-
SPP
Sindhu-
PP
Gujarata-
PPPP
Maratha
PMDP
Sargam line:SPP PP PPPP PMDP

Playing tip:Leap cleanly from Sa to Pa (SPP) with steady airflow. Keep the repeated Pa notes well-timed and play PMDP with graceful finger lifts.

Line 4"Dravida-Utkala-Banga"
Dravida-
MMM
Utkala-
GGG
Banga
RMG /
Sargam line:MMM GGG RMG /

Playing tip:Step down with even tone from Shuddha Ma (MMM) to Ga (GGG), resolving cleanly through Re-Ga-Ma (RMG) followed by a short breath pause (/ ).

Line 5"Vindhya-Himachala-Yamuna-Ganga"
Vindhya-
GG
Himachala-
GGGR
Yamuna-
PPPM
Ganga
MM
Sargam line:GG GGGR PPPM MM

Playing tip:Keep the rhythm energetic. Play GGGR cleanly before lifting to PPPM and settling on double Ma (MM).

Line 6"uchchala-jaladhi-taranga"
uchchala-
GGG
jaladhi-
RRR
taranga
R.NRS—
Sargam line:GGG RRR R.NRS—

Playing tip:Mirror the second phrase resolution: cascade down from Ga to Re, lightly dip into Mandra Ni (.N), and rest firmly on Sa (S—).

Line 7"Tava Subha name jage, tava subha asisa mange,"
Tava Subha
SR GG
name jage,
GG RGM—
tava subha
GM PP
asisa mange,
PMMG RMG—
Sargam line:SR GG GG RGM— GM PP PMMG RMG—

Playing tip:Flow seamlessly across both sub-phrases. Accentuate the ascending lines and maintain warm, even tone across PMMG and RMG.

Line 8"gahe tava jaya-gatha."
gahe
GG
tava
RR
jaya-gatha.
RR .NRS /
Sargam line:GG RR RR .NRS /

Playing tip:Play with serene devotion. The lower Mandra Ni (.N) should be soft and resonant without losing breath support.

Line 9"Jana-gana-mangala-dayaka jaya he"
Jana-gana-
PP PP
mangala-dayaka
PPP PPP
jaya he
MD P
Sargam line:PP PP PPP PPP MD P

Playing tip:Ascend to Pa (P) with celebratory energy. Keep the rapid repeated Pa strokes articulated and land cleanly on MD P.

Line 10"Bharata-bhagya-vidhata."
Bharata-
MMM
bhagya-
GG
vidhata.
GRMG /
Sargam line:MMM GG GRMG /

Playing tip:Step down with grace through MMM and GG, then articulate GRMG softly before the grand climax.

Line 11"Jaya he, Jaya he, Jaya he,"
Jaya he,
S'NS'—
Jaya he,
NDN—
Jaya he,
DPD—
Sargam line:S'NS'— NDN— DPD—

Playing tip:This is the majestic high climax of the anthem. Focus your lips and embouchure for a pure, sweet Tara Sa (S'). Step down stepwise: S'NS'— to NDN— to DPD—.

Line 12"jaya jaya jaya jaya he"
jaya
SS
jaya
RR
jaya
GG
jaya he
RG M—
Sargam line:SS RR GG RG M—

Playing tip:Build up step-by-step from Sa (SS), Re (RR), Ga (GG) to RG M—, holding the final Shuddha Ma (M—) with resonant pride and devotion.

Continuous Sargam Sheet for Quick Practice

// Jana Gana Mana - Indian National Anthem - Sargam Notes

SR GG GG GGG— GG RG M—// Jana-gana-mana-adhinayaka jaya he
GGG RR R.NRS—// Bharata-bhagya-vidhata
SPP PP PPPP PMDP// Panjaba-Sindhu-Gujarata-Maratha
MMM GGG RMG /// Dravida-Utkala-Banga
GG GGGR PPPM MM// Vindhya-Himachala-Yamuna-Ganga
GGG RRR R.NRS—// uchchala-jaladhi-taranga
SR GG GG RGM— GM PP PMMG RMG—// Tava Subha name jage, tava subha asisa mange,
GG RR RR .NRS /// gahe tava jaya-gatha.
PP PP PPP PPP MD P// Jana-gana-mangala-dayaka jaya he
MMM GG GRMG /// Bharata-bhagya-vidhata.
S'NS'— NDN— DPD—// Jaya he, Jaya he, Jaya he,
SS RR GG RG M—// jaya jaya jaya jaya he

Western Notes (Relative Key / Sa = C Pitch)

Western Flute & Keyboard (C Root)

For Western concert flute players, keyboardists, and recorder learners, the melody is transcribed relative to key of C (where Sa = C, Re = D, Ga = E, Ma = F, Pa = G, Dha = A, Ni = B):

Line 1"Jana-gana-mana-adhinayaka jaya he"
Jana-gana-mana-
CD EE EE
adhinayaka
EEE— EE
jaya he
DE F—
Western line:CD EE EE EEE— EE DE F—
Line 2"Bharata-bhagya-vidhata"
Bharata-
EEE
bhagya-
DD
vidhata
D.BCD—
Western line:EEE DD D.BCD—
Line 3"Panjaba-Sindhu-Gujarata-Maratha"
Panjaba-
CGG
Sindhu-
GG
Gujarata-
GGGG
Maratha
GFAG
Western line:CGG GG GGGG GFAG
Line 4"Dravida-Utkala-Banga"
Dravida-
FFF
Utkala-
EEE
Banga
DEF /
Western line:FFF EEE DEF /
Line 5"Vindhya-Himachala-Yamuna-Ganga"
Vindhya-
EE
Himachala-
EEED
Yamuna-
GGGF
Ganga
FF
Western line:EE EEED GGGF FF
Line 6"uchchala-jaladhi-taranga"
uchchala-
EEE
jaladhi-
DDD
taranga
D.BCD—
Western line:EEE DDD D.BCD—
Line 7"Tava Subha name jage, tava subha asisa mange,"
Tava Subha
CD EE
name jage,
EE DEF—
tava subha
EF GG
asisa mange,
GFFE DEF—
Western line:CD EE EE DEF— EF GG GFFE DEF—
Line 8"gahe tava jaya-gatha."
gahe
EE
tava
DD
jaya-gatha.
DD .BCD /
Western line:EE DD DD .BCD /
Line 9"Jana-gana-mangala-dayaka jaya he"
Jana-gana-
GG GG
mangala-dayaka
GGG GGG
jaya he
FA G
Western line:GG GG GGG GGG FA G
Line 10"Bharata-bhagya-vidhata."
Bharata-
FFF
bhagya-
EE
vidhata.
EDEF /
Western line:FFF EE EDEF /
Line 11"Jaya he, Jaya he, Jaya he,"
Jaya he,
C'BC'—
Jaya he,
BAB—
Jaya he,
AGA—
Western line:C'BC'— BAB— AGA—
Line 12"jaya jaya jaya jaya he"
jaya
CC
jaya
DD
jaya
EE
jaya he
DE F—
Western line:CC DD EE DE F—

Continuous Western Notes Sheet

// Jana Gana Mana - Indian National Anthem - Western Notation

CD EE EE EEE— EE DE F—// Jana-gana-mana-adhinayaka jaya he
EEE DD D.BCD—// Bharata-bhagya-vidhata
CGG GG GGGG GFAG// Panjaba-Sindhu-Gujarata-Maratha
FFF EEE DEF /// Dravida-Utkala-Banga
EE EEED GGGF FF// Vindhya-Himachala-Yamuna-Ganga
EEE DDD D.BCD—// uchchala-jaladhi-taranga
CD EE EE DEF— EF GG GFFE DEF—// Tava Subha name jage, tava subha asisa mange,
EE DD DD .BCD /// gahe tava jaya-gatha.
GG GG GGG GGG FA G// Jana-gana-mangala-dayaka jaya he
FFF EE EDEF /// Bharata-bhagya-vidhata.
C'BC'— BAB— AGA—// Jaya he, Jaya he, Jaya he,
CC DD EE DE F—// jaya jaya jaya jaya he

Structured Practice Method for Jana Gana Mana

1

Practice long tones (Swar Sadhana) on middle octave swaras (S, R, G, M, P, D, N) to build steady breath support and pure intonation.

2

Pay special attention to Mandra Ni (.N) in Phrases 2, 6, and 8. Ensure finger holes are sealed completely with finger pads.

3

Practice the climactic 11th phrase (S'NS'— NDN— DPD—) slowly to produce a clear, gentle high Tara Sa (S') without overblowing forcefully.

4

Practice the anthem at a steady, dignified tempo. The complete National Anthem is traditionally performed in approximately 52 seconds.

Common Mistakes to Avoid

Rushing the tempo during repeated notes (like GGG or PPP) instead of keeping steady cadence
Overblowing forcefully on Tara Saptak Sa (S') causing harsh screeching instead of focusing the air stream
Leaking air on Mandra Ni (.N) causing the lower note to fail or sound flat
Cutting off the sustained holding notes (—) abruptly instead of sustaining them with steady air support

Recommended Practice Tools & Guides

Author

About the Author

Written and practice-tested by Aplut, a self-taught bansuri learner practising since 2022. Content is built on direct practice experience and careful research into classical traditions. Because musical lineages and fingering conventions vary, suggestions and corrections are always welcomed via our contact page or at [email protected]. First-hand instrument experience is identified clearly whenever gear is reviewed.